‘Terrifier 2’ Filmmaker Damien Leone Says ‘Terrifier 3’ Will Return to the First Film’s Tone

Terrifier mastermind Damien Leone has pulled off the very uncommon feat of constructing a profitable indie horror franchise from scratch.
The Philadelphia native created the franchise’s star, Artwork the Clown (David Howard Thornton), in a 2008 brief known as The ninth Circle, and whereas he solely appeared briefly, Leone obtained sufficient suggestions on the disturbing character design to double down on the clown. Inside a number of years, he made a Terrifier (2011) brief movie as a proof of idea for a correct characteristic movie, and his DIY angle would solely intensify when he was advised throughout city that clowns don’t promote.
Leone first lower his tooth as a particular results make-up artist, and thru his work on Phil Falcone’s indie Joe’s Conflict, he turned quick buddies with the producer-director who later determined to bankroll a $35,000 Terrifier characteristic. The 2016 slasher movie would go on to make roughly twelve instances its finances, prompting Leone and Falcone to pursue a sequel at an identical value level. Nevertheless, the movie developed sufficient of a cult following that an Indiegogo marketing campaign landed them a further $220,000 for the $250,000-budgeted sequel.
Ultimately, Terrifier 2 obtained a theatrical launch of almost 900 theaters, and constructive phrase of mouth propelled the movie to constructive good points of 28 p.c and 70 p.c in its second and third weekends, leading to double the quantity of theaters for weekends 4 and 5. Previous to its present re-release as of Nov. 1st, the Bloody Disgusting-distributed movie has totalled just below $16 million worldwide.
Thus, Terrifier 3 turned a foregone conclusion, and the Christmas-themed slasher is now dated for launch on Oct. 25, 2024. And on the heels of Terrifier 2 taking a extra heightened method with supernatural and fantasy components, Leone says the third movie may also return to the dirty and extra grounded tone of the primary movie.
“I’m attempting to return to [2016’s Terrifier], tonally. So if half two is my [A Nightmare on Elm Street: Dream Warriors], I wish to return to the unique A Nightmare on Elm Avenue tone with [Terrifier 3],” Leone tells The Hollywood Reporter.
Leone’s reasoning for returning to the unique movie’s tone is predicated on a lesson he’s picked up from different franchises that distanced themselves from their roots.
“When franchises lose their means, one of many errors they make is forgetting what made the franchise nice within the first place,” Leone says. “They only stray to date off of that path, in order that’s one thing I’m attempting to keep away from. I simply wish to return in that course so I don’t neglect the place I got here from … And I do suppose [Terrifier 3] goes to be the scariest, darkest, and most sadistic one, imagine it or not, of the whole trilogy.”
He additionally intends to supply extra readability on Sienna Shaw’s (Lauren LaVera) deceased father and why his sketchbook had drawings of each Artwork the Clown and the angel-warrior persona that Sienna would carry to life in additional methods than only a Halloween costume.
“Flat out, I can inform you that I intend to clarify quite a lot of issues that had been introduced up in Terrifier 2, as a result of that mystique was there by design,” Leone says. “I knew I needed to make extra movies within the franchise, and I didn’t wish to simply clarify every part in a single film.”
Under, throughout a latest dialog with THR, Leone additionally expresses his pleasure over hiring a full-fledged make-up crew on Terrifier 3 and never having to tug double obligation for the primary time.
So the Terrifier motion pictures acquired off the bottom partly as a result of a retired white-collar employee determined he needed to make his retirement a bit extra fascinating by being each your producer and your FX assistant?
100%. I attempted to buy Terrifier round for years. I made a primary brief movie with Artwork the Clown known as The ninth Circle [2008]. That was the primary time anyone ever laid eyes on that character, and whereas he was solely in it for a couple of minutes, folks beloved him. They only stated, “You need to make extra issues with that character.” So then I made a 20-minute brief movie years later known as Terrifier [2011], and that was type of a proof of idea, which actually showcased Artwork the Clown and turned him right into a slasher. That was going to be the calling card to get a finances behind this film and switch it right into a characteristic. So I shopped it round for thus lengthy, however no one believed in it, even when it was rising an even bigger fan base based mostly off the All Hallow’s Eve horror anthology that included it. It simply wasn’t large enough.
At the moment, you didn’t have the remake of Stephen King’s It or Twisty the Clown from [American Horror Story: Freak Show]. Clowns had been simply nowhere to be seen, and I might get the be aware again that clowns can’t promote a film. So I used to be like, “Alright, I’ll nonetheless work out a means. I’ve all the time executed it by myself. I’ll discover a method to increase cash.” Nevertheless it took years and years till I met Phil Falcone whereas engaged on his first movie. When he retired, he needed to make motion pictures, and he made a film known as Joe’s Conflict. It’s a struggle drama, and he wanted particular results for a struggle sequence. And his cinematographer, Tom Agnello, additionally shot my first Artwork the Clown brief movie, and he stated, “Hey, I do know this man. He’s fairly good with make-up results. I’ll introduce you.” So I did all of the bullet hits and blood spray in that sequence, and me and Phil hit it off. We turned buddies.
After which, years later, once I was attempting to lift cash for Terrifier, we wound up doing an Indiegogo marketing campaign as a result of no one needed to offer us cash. So I despatched Phil the Indiegogo and stated, “Hey, in the event you’re or know anyone else who could be focused on being part of this, let me know.” And he simply known as me on the facet and stated, “What are you actually attempting to do? How a lot do you suppose you can also make this film for?” And I stated, “Properly, I maxed out a $5,000 bank card, and I made the 20-minute Terrifier brief. With $35,000, we will make one thing that’s an hour and 20 minutes.” And he went, “I’ll provide the cash tomorrow if you can also make a film for $35 grand. I simply wish to be there whilst you’re doing the make-up. I wish to hang around. I wish to be hands-on as a result of I actually love the make-up results. Possibly you could possibly train me some issues.” And we’ve been inseparable ever since. I owe that man my life. He’s like my household now. So it’s lovely, and I used to be so fortunate.
David Howard Thornton as Artwork the Clown in Terrifier 2
Cineverse
The primary movie then made twelve instances its $35,000 finances and developed sufficient of a cult following that you could possibly carry on extra buyers and crowdfunders for the sequel?
Right. We had been going to do it the identical means and make it for comparatively the identical finances, however in the event you’ve seen Terrifier 2, it’s an epic in comparison with half one. So I simply wrote the story I needed to inform, after which we’d take care of actuality later. And after we checked out it, we simply knew we couldn’t presumably make it for $35,000 to $50,000, particularly the Clown Cafe sequence. That was the sequence that I actually needed within the film, however that was one other brief movie in and of itself. It was a giant set full of the hearth and other people getting shot, and I used to be like, “There’s no means we will do that. We’re going to should attempt to crowdfund once more. Now that now we have a little bit of an even bigger fan base, perhaps it’ll be simpler to really do a crowdfunding marketing campaign, particularly only for the Clown Cafe sequence.”
So we set the purpose for $50,000, and inside a day, I feel we raised $220,000 by means of Indiegogo. And I used to be like, “Oh my God.” It was an eye-opening second. We realized that we had an even bigger fan base on our palms than we even thought. And thank God that we raised that cash as a result of we might’ve by no means been capable of shoot the film in any respect. Each nickel of that went into making Terrifier 2 what it’s, and it nonetheless blows folks’s minds that we made that film for 1 / 4 of one million {dollars}. It was quite a lot of work, and it took quite a lot of time with a really restricted however devoted crew. So we’re so grateful for the followers as a result of they actually made that film occur.
There’s a tonal change between the primary and second, and the distinction blew me away since I watched the second movie first. You added a pop component of kinds, in addition to the supernatural and a few fantasy mythology. How a lot of that shift was a response to suggestions you obtained on the primary film’s tone?
Not a lot in any respect. That shift was a results of the Sienna character performed by Lauren LaVera. To me, Terrifier 2 is de facto her film. It’s not Artwork the Clown’s anymore. In order that film and that tone is known as a reflection of her character. Half one is such a simplified, retro, gritty, grindhouse slasher film. It’s straight to the purpose. Artwork is principally the star of that movie. It’s a showcase for what he’s as a personality. It was such a low finances, and if I might simply throw Artwork the Clown in your face, hopefully folks would watch it, which they did. However going into half two, you’ll be able to’t try this once more. You need to develop as a filmmaker. You need to craft a narrative. You need to herald some type of mythology. Extra importantly, you must herald a protagonist that you simply care about and which you could empathize with, and also you additionally want a worthy adversary to fight Artwork the Clown. In order that’s the place Sienna got here in.
We additionally actually embraced the supernatural component this time round, as a result of Artwork dies on the finish of the primary Terrifier. And like most boogeymen, he’s resurrected and comes again from the lifeless, however filmmakers and writers are likely to gloss over that component. It’s simply what the boogeyman does. However I actually needed to embrace that and discover what that supernatural evil is. What permits a killer to return again from the lifeless? Why? How? What’s driving him? So I actually needed to embrace that in a really David Lynch-ian kind of means.
So as soon as I knew I used to be exploring that component, I needed to take from supernatural horror motion pictures that I beloved, and one in all my all-time favorites that had the best marriage of the supernatural and that darkish, gritty tone was A Nightmare on Elm Avenue 3: Dream Warriors. I felt like that had the perfect of half one, but additionally reinvented itself throughout the style and inside that franchise. So there have been quite a lot of components taken straight from Dream Warriors and its environment.
Lauren LaVera as Sienna Shaw in Terrifier 2
Cineverse
Lauren LaVera was a little bit of a latecomer to performing. She began in martial arts and stunts, however caught the performing bug as soon as she doubled for Anya Taylor-Pleasure on M. Evening Shyamalan’s Break up. How a lot backwards and forwards was there till you knew she was the one to play the teenage angel-warrior generally known as Sienna Shaw?
Oh my gosh, virtually none. (Laughs.) There was by no means a runner-up. Initially, I designed the poster for Terrifier 2 earlier than we even forged the character, so I knew what I used to be in search of, visually. For those who have a look at the poster, you don’t see Sienna’s face, but it surely seems like Lauren within the armor. So I knew how intense and bodily Terrifier 2 was going to be, and once I noticed her and her reel and all of the martial arts she was doing, I stated, “Properly, she will be able to clearly tackle the duties and the accountability of going by means of this hell on set.” However then it was like, “Can she act?” She positively had some cool issues in her reel, however I didn’t know the way far her vary would stretch.
So once I had her are available to do some chemistry reads in individual, she learn with [Sienna’s younger brother, Jonathan] Elliott Fullam and Casey Hartnett, who performs her fiend Allie within the movie. And as quickly as Lauren got here in and began studying, I used to be like, “Oh my God, that is Sienna. It’s a no brainer.” I simply knew she was going to raise the fabric that I wrote to a different stage, and dealing together with her has been essentially the most lovely collaboration. I’ve had actors, and nonetheless do, who’re fantastic and actually care a lot about their characters, however Lauren simply took it to a different stage. I’ve by no means seen anyone care as a lot for a personality that I wrote as a lot as she does.
She known as me on a regular basis, asking me questions concerning the character that weren’t essentially addressed within the script, however it could assist her craft the character, internally. After which she’d go off and write journals of who she thought Sienna was and what she’s been by means of simply to inject extra dimensions into the character. So you’ll be able to’t ask for greater than that as a director. It fires you up. It makes you prouder of what you’ve written, and it actually makes you wish to give the perfect it’s a must to supply. So it’s been fantastic, and we’re so excited to proceed exploring this character. There’s much more you haven’t seen but.
So what’s the standing of Terrifier 3?
We’re able to go, principally. After all, we’re hindered by the strike. So, hopefully, it ends very quickly, however we’re able to go. The suggestions that I’ve gotten from the script has simply been wonderful. The few individuals who’ve gotten to learn it suppose it’s actually going to be one thing particular, so I’m excited for it. I felt actually good about half two, and I really feel the identical, if not much more assured, about half three and the place it’s going. It’s acquired a very cool new twist on it.
As we mentioned, half two actually has that fantastical, poppy Dream Warriors vibe, and I’m attempting to return to half one, tonally. So if half two is my Dream Warriors, I wish to return to the unique A Nightmare on Elm Avenue tone with half three. When franchises lose their means, one of many errors they make is forgetting what made the franchise nice within the first place. They only stray to date off of that path, in order that’s one thing I’m attempting to keep away from. I simply wish to return in that course so I don’t neglect the place I got here from, and I need this one to be the scariest one. And I do suppose it’s going to be the scariest, darkest, and most sadistic one, imagine it or not, of the whole trilogy.
Nevertheless it’s nonetheless going to have that nice component of enjoyable, as a result of I all the time need there to be levity. Artwork the Clown must be his charming, quirky self. I need the viewers to know that is only a fictional world. We’re right here to have enjoyable, and I don’t need them leaving the theater feeling depressing. However on the similar time, there’s a method to make this one appear as in the event you’ve by no means even met Artwork the Clown earlier than. That’s how I need the viewers to really feel. I need them to really feel like it is a very terrifying, unpredictable character, and whilst you suppose you would possibly know him, you don’t know what’s coming.
On Terrifier 2, you and Phil needed to cease taking pictures for days at a time to create the make-up results, however with the success of that movie, you’ve presumably earned a large crew and an even bigger finances to not should shoulder every part yourselves.
Yeah, it’s tremendous thrilling. I get to rent knowledgeable make-up crew for the primary time in my life, and a few persons are like, “How are you going to surrender the results?” However I might surrender each position other than the writing and directing. The one motive I took on every part is as a result of we by no means had the cash to rent anyone who might do it higher than I can, and there are such a lot of people who find themselves a lot extra gifted than I’m, particularly within the make-up world. So, now, to have a Hollywood make-up studio are available and decide up the accountability of the results is so thrilling. It’s such a reduction. However I’m nonetheless so hands-on, and there’s such an exquisite relationship and shorthand that I’ve with them in designing these results. I do know precisely how I wish to shoot them and the best way to execute them correctly, and it makes their job a lot simpler and permits them to be much more artistic.
A variety of instances, filmmakers who don’t come from a make-up results background actually don’t know the best way to shoot these results. So what occurs is the make-up crew has to guess the way it’s going to be shot. They’ll method it the best way they suppose it needs to be shot, after which once they get to set, the director has one thing utterly completely different of their thoughts. In order that they’ve wasted months of their lives constructing results or issues that they didn’t even have to construct, or they didn’t construct one thing the director needed as a result of the director didn’t specific their concepts to them in the best means. So it’s been thrilling to have that relationship now and to geek out and get excited with these make-up folks.
Will we get some readability concerning the mysterious state of affairs with Sienna’s father?
Sure. Flat out, I can inform you that I intend to clarify quite a lot of issues that had been introduced up in Terrifier 2, as a result of that mystique was there by design. I knew I needed to make extra movies within the franchise, and I didn’t wish to simply clarify every part in a single film. I like revealing issues as we go and uncovering these puzzle items as if we’re uncovering a thriller. So you’ll be taught quite a lot of issues from Terrifier 2 in Terrifier 3.
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Terrifier 2 is now again in theaters for a restricted time. This interview was edited for size and readability.